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Dvorak - Rusalka | 
 enlarge | Artists: Ruth Lange, Helmut Schindler, Kurt Preuss, Helena Rott, Eva Fleischhauer
Creators: Gottlob Frick, Antonin Dvorak, Joseph Keilberth, Staatskapelle Dresden, Elfriede Troetschel, Erich Zimmermann, Dresden State Opera Chorus
Label: Profil
Category: Music
List Price: £19.99
Buy New: £10.72
You Save: £9.27 (46%)
New (20) Used (6) from £8.50
Rating:  1 reviews
Sales Rank: 250306
Media: Audio CD
Discs: 2
Running Time: 122 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 5.7 x 4.7 x 0.9
UPC: 881488603125
EAN: 0881488603125
ASIN: B000F6YWZI
Release Date: November 27, 2006
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Ships from U.S.A., to anywhere in the United Kingdom! Orders only take 7-10 days! We specialise in service to the U.K. and only ship airmail.
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| Customer Reviews:
A Sonic Resurrection of a Historic 1948 Performance July 8, 2006
J Scott Morrison (Middlebury VT, USA)
5 out of 7 found this review helpful
This German-language production of Dvorak's fairy-tale opera 'Rusalka' comes from post-war Dresden and marks one of the first recordings and broadcasts following the fire-storm destruction of the heart of Dresden by Allied bombers in early 1945. It stars singers of the Dresden Semperoper who had survived the war. Most familiar of them is basso Gottlob Frick as Rusalka's father and soprano Efriede Troetschel in the title role. The conductor is Joseph Keilberth, leading the Staatskapelle Dresden who also had functioned as the pit orchestra of the Semper Opera before the war. Since all the suitable auditoria in Dresden had been destroyed, this performance -- first broadcast live over Mitteldeutsche Rundfunk and then recorded, again live, a few days later -- took place in an improvised 'studio' in the reception area of the German Hygiene Museum. Most of the included booklet describes how the audio was set up in this improvised setting and how the master tapes were recovered and renovated by modern sound engineers. Very little is said about the opera itself, except for a brief synopsis. There is no included libretto. Further, the Czech original had been altered considerably for its German-language production, bringing it more in line with Hans Christian Andersen's 'The Little Mermaid.' All this leads one to conclude that this production, whatever its musical values, is more for the historically minded than for the average opera lover.
As for the musical performance itself, it has much to recommend it. First, the sound is amazingly good considering the state of the master tapes when they were found and restored in the early 1990s after German reunification. Elfriede Troetschel, a light lyrical soprano much praised for her Mozart (Zerlina, Susanna) and Strauss (Sophie) sounds appropriately young and naive, yet ardent, in her portrayal. Her 'Hymn to the Moon' does not makes us forget Renee Fleming or Edita Gruberova, but it is nonetheless lovely. Gottlob Frick, a basso with an endearingly provincial German pronunciation, is a believable Wassermann (as he's called in this German version) whose distress at his daughter's wish to become a human is moving. A surprise to me was a previously unknown tenor, Helmut Schindler, as the Prince. He has a clear, penetrating Germanic sound that reminds me of Rudolf Schock but with a bit of strain at the top. He sounds heroic and desperately in love with Rusalka. Jezibaba, here called 'Die Hexe', is portrayed with cunning and fire by contralto Helena Rott. And not surprisingly the Water Sprites sound, in German, like light-weight Rhinemaidens! Keilberth's conducting is neatly controlled. The sound of the orchestra is a bit recessed due, one suspects, to the acoustical difficulties in the recording venue.
This is clearly not recommended as a first recording of 'Rusalka.' I'd go for the Mackerras/Heppner/Fleming version for that. But it might be appealing to those interested in post-war German recordings and in the particular singers involved.
Scott Morrison
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